Squirrels

From http://polydactyle.aminus3.com/image/2009-01-17.html
From http://polydactyle.aminus3.com/image/2009-01-17.html

Before the avocado linoleum was replaced, our kitchen table sprang from it on one hefty leg, like a flattened tree. We gathered round in our designated seats, though I can’t recall how or when they had been assigned. My mother sat closest to the fridge for handy mid-meal retrievals, with my sister and me to her left. Next was my father, followed by my two brothers, their backs to the window, completing the circle. I didn’t envy them; it was often chilly on that side, and accompanied by a view of the sink and the dirty pots on the stove. From my position, I could watch the flakes fall, or the morning glories creep up the strings that dangled over the window–our homegrown awning.

In the absence of some or all of the others, the seating plan still applied. My mother and I often leaned our elbows on the creaky oak to talk about books or logistics or ideas, one eye scanning the backyard.

Mid-conversation, it was not unusual for her to yelp and leap from her chair, grab pots and lids, and run outside, clanging like crazy.

After a minute or so, she would return to her seat, contrite and subdued, but the moment was gone, our thoughts dispersed.

I learned not to take this personally.

Her beef was not with me, but the squirrels who continually ransacked the bird feeder, leaving the cardinals, sparrows, and chickadees to forage elsewhere. No one pitied the greedy blue jays, at whom my mother clucked disapprovingly. They got any scraps the rodents left behind.

My mother greased the pole of the feeder, then sprinkled birdseed on the ground, either as a peace offering or to make the squirrels too fat and lazy to attempt the slippery pole. Nevertheless, the fuzzy little gluttons somehow always managed to shimmy up to the feeder.

Now that I am grown, I have a feeder out for the hummingbirds, but it hangs near the house, pole-less, in just the right spot to torment the cat. The squirrels and I co-exist quite amiably.

And yet, I see myself behaving like my mother, minus the pots and pans.

Half-listening to my girls, I am hyperaware of any unusual activity just past the membrane of our home-space. I’m there, but not fully; I’m coiled to spring.

Wondering,

why is it so very hard to be in a single moment,

instead of watching vigilantly

for squirrels,

or not-squirrels

on the periphery of our daily lives.

Weekly Photo Challenge: Object

©2014 Beret Olsen
©2014 Beret Olsen

I grew up in the Midwest, as far as possible from any ocean.

I might have withered in the parched heat of the Plains, but my family headed East for the summers, where a day without a dip in the lake bordered on shameful.

Still, as close as we were, we seldom made it to the seashore, but if and when we did…

I wandered along the water line, icy water creeping unexpectedly underfoot,

The undertow sucking sand from beneath me;

Greedy surf clearing the shore of footprints, emptying the mind of everything but the present.

I looked for shells with perfect holes bored in their bellies from countless trips across the sea floor.

I looked for bits of seaweed, and crabs, and little fish trapped in tide pools.

But what I gathered and hid in my pockets were the stones which had been worn smooth by the relentless drive of the tides,

From being tossed and raked across the beach,

Endlessly,

Endlessly.

Brutally made,

But honed and solid,

Warm in my hand,

Ready to skip.

It reminds me through the long winter chill

That the elements conspire to make us beautiful and strong.

Photo Challenge: Branches

©2014 Beret Olsen
My favorite dead tree, with Mt. Diablo in the distance.                           ©2014 Beret Olsen

IMG_5824

©2014 Beret Olsen
That’s Mt. Tam there in the setting sun.                                                     ©2014 Beret Olsen

branches1

All of these photos came from walks up Mt. Davidson. Thanks to nuvofelt for issuing weekly photography challenges.

How Benedict Cumberbatch kept me up all night

Benedict Cumberbatch is on the right. His sidekick, Martin Freeman's name has never kept me up at night.  Image from www.i.dailymail.co.uk.
Benedict Cumberbatch is on the left. On the right is Watson, a.k.a. Martin Freeman, whose name has never led to any late-night musings. Image from http://www.i.dailymail.co.uk.

Over the years, I’ve had so many good reasons for insomnia. Indeed, there are endless possibilities for an important late night worry.

Last night was not one of them.

I’d stayed up later than usual watching the season premiere of Sherlock. It was a bit of a nail-biter–or would have been, if I did that sort of thing. Instead, I squeezed the spouse’s leg and ate chocolate. Not surprisingly, I was a little amped up when the show finally finished, but even then, I might have managed a decent sleep if I hadn’t started thinking about the Benedict Cumberbatch name generator.

Have you tried it? There’s not much to it. All you do is push the make name button and it produces a random pair of ‘words’ with the same lilting poetic meter as Benedict Cumberbatch’s name. Many of the combinations are moderately amusing–(c.f., “Snozzlebert Toodlesnoot” and “Muffintop Wafflesmack”)–but my first hit was:

“Blubberbutt Snugglesnatch.”

That was it for me, really.

For hours I lay in bed, trying to be still. I did not want to wake the spouse or worse, get booted from the warm bed. Just when I would start to feel a bit sleepy, though, a new combination would form in my head, and I would have to record it for posterity. Smug but wide awake once more, I would sift through the contents of my brain, looking for the next most hilarious thing. I bet I spent half an hour bemoaning the fact that “dingleberry” was four syllables.

I thought I was ridiculously clever, even after I gave up on two-word combos and started jotting down any old three-syllable word. By light of day, I can assure you that none struck me as funny as it did in the middle of the night. Still, I have included an excerpt from my notes in the hopes that you might be inspired to leave your suggestions in the comments. No doubt I’ll need something entertaining to read at 2 am some night soon.

Burlybutt Nancypants

Mumblebuns Cumbercrap

Cozyshack Snagglepatch

Knickerbock Weeniewart

Crappyass Cumberbuns

Cuddleknob Poodleboob

Now, if only I had the energy and focus to do what I was supposed to be doing.

Strange bedfellows: Renaissance painting and indie music

A few months ago, I wrote a post responding to a video which I failed to embed properly. Apologies. I suppose it was inevitable that Zero to Hero would challenge me to figure out that mess. I went back and fixed the problem–I think.

For my month of blog fine-tuning–c.f.,  Zero to Hero–I’m supposed to write something which includes embedded media. In honor of this occasion, I have decided to share something that has snagged in the corner of my brain. It is not the usual Bad Parenting fare.

I’m being haunted by a music video.

I find the song mesmerizing. The lyrics are just inscrutable enough to tantalize my imagination. The melody is intoxicating, and the mix is perfect–complicated, well-balanced. What is bugging me is the video itself. I’m still trying to figure out what they were thinking.
The set and arrangement of characters were modeled after what is perhaps Raphael’s best-known painting, a fresco he did at the Vatican called The School of Athens.

School of Athens, from wikipedia.
School of Athens, from wikipedia.

This painting supposedly includes “every great Greek philosopher,” which means everyone from Socrates and Plato to Euclid and Pythagoras. I don’t know any contemporary Greek philosophers, but it doesn’t matter:  the painting was done in the 16th century, so I’m off the hook.

School of Athens was part of a series that was supposed to illustrate a progression from reason (Western philosophy) to revelation (Christianity), and to show how they worked  together–an idea that has been lost in these days of intelligent design vs. evolution.

But what characters has alt-J put in their video? These are not meant to be philosophers. And why did alt-J choose to put this particular cast in dialogue with art history and religion? After a very un-scientific search, the best I could find was an off-hand comment about wanting to set contemporary figures from a “lower socio-economic status” into Raphael’s famous work. Fine. But these are not “poor people,” per se; these are stereotypes from gangster culture:  the liquor in a paper bag, throwing dice, ferocious dogs, big earrings, wife beater t-shirts, heavy chains, spandex dresses. I look at pictures of members of the band and wonder:  what are these pasty white guys trying to say? Are they trying to offer commentary on class and culture? Or simply show off their liberal arts degrees from Leeds?

The lyrics have not helped illuminate this conundrum:

“Three guns and one goes off
One’s empty, one’s not quick enough
One burn, one red, one grin
Search the graves while the camera spins

Chunks of you will sink down to seals
Blubber rich in mourning, they’ll nosh you up
Yes, they’ll nosh the love away but it’s fair to say
You will still haunt me”

The video makes no sense to me, and borders on offensive. If this is what they think poverty looks like, I find it terribly condescending. Kind of like when Miley pops in a grill and acts out her impression of African Americans. Awkward, at best, but likely much, much worse.

At the same time, I can’t stop listening to the song or watching the video in question, so who am I to judge?

****

p.s. I did find out where they got the band name. Press alt-J on your keyboard and you’ll get ∆:  the triangle that appears in their video and as their logo. Triangles are their favorite shape.

Weekly Photo Challenge: Grand

 

©Beret Olsen
©Beret Olsen

 

I love, love, love shooting film. One has to slow down and contemplate the light, meter here and there, think in two dimensions, adjust the tripod. It is slow and meditative for me, in part because the equipment is so unwieldy, in part because the film so expensive. Each frame matters.

But this image was not shot on film. In fact, I’m lucky it exists at all.

Here’s the deal.

When I am with the spouse and kids, there is never a good time to take a photograph. I’ve missed many, many shots in the interest of “making good time,” catering to emergency bathroom and snack needs, or these days, trying to avoid the tween’s biting impatience.

My family will probably disagree–and for good reason. In truth, they have stopped and waited innumerable times for me to dig out my phone or a point-and-shoot. I take a ridiculous number of crappy snapshots on a daily basis, but the resulting images feel more like visual markers than like “real photographs.” Some are interesting, or serve to jog the memory, but most of them are jpeg trash. I save them anyway.

On the morning pictured, we were supposed to have hit the road an hour earlier. It had taken longer than expected to pack and leave our lodging, which was probably my fault. Two minutes into the drive, we had to stop and return Red Box movies. Five minutes later, we had to stop again to get gas and dig snacks out of a bag buried in the back. Finally, we were rolling. Everyone was a bit cross–and more than ready to get a few miles under the belt–when I saw the most amazing light coming over the lake and snow. I turned to my beleaguered family and smiled weakly. “So. I…uh…need to pull over for a sec.”

Sadly, I didn’t have my real camera along, but I grabbed the point and shoot and got out of the car. I slowed down for two minutes and really looked. I futzed a little with the framing and exposure. I walked closer, forgetting for a moment that there were three grumpy people back in the car.

It may not be the best possible photo, but it makes me very, very happy. In the midst of the manic, chaotic snarl of everyday finagling, it is possible to breathe and see and be in the present. And even if it’s just for two short minutes, it can be grand.

What am I doing here?

From www.images.sodahead.com
From http://www.images.sodahead.com

I don’t remember why I started a blog.

I don’t even really know why I need to write. I just know that when I don’t, I get cranky.

When I do write, I feel fabulous–whether I end up posting or not. So why don’t I simply dump my thoughts in a journal and stick it on the shelf? Continue reading What am I doing here?

Another New Year, Another Chance to Aim Low

To really aim low, I could be zero AND a hero. From empowermm.com, whatever that is.
To really aim low, I could be zero AND a hero. Image from empowermm.com.

Gone are the days of resolving to “Achieve balance,” and then feeling crappity all year when I can’t do it. This year, I have decided once again to aim low, focusing on short-term, achievable goals. I will make reasonable monthly resolutions, and then emerge victorious. That is my plan.

For January, I’m participating in “Zero to Hero,” the embarrassingly titled 30-day plan for kick-starting or fine-tuning one’s blog. And though it sounds as if I need a cape, I will proceed without one.

For today’s assignment, I was supposed to introduce myself and consider my purpose and content. Well, I thought about it. I blog about everything from teaching to parenting to bad hair cuts to traveling, and I have no intention of narrowing my focus at this time. As for an introduction, I’ve been here a while, so I decided to rewrite my About page. It now reads as follows:

Likes:

  • snacks
  • the Oxford comma
  • snail mail
  • other great stuff

Dislikes:

  • raisins
  • parking
  • sciatica

Neither a morning person nor a night owl, I can be surprisingly productive between 10 and 2. I am awake for many, many other hours, though–mostly on purpose.

Additional fun facts:

After graduating from Carleton College with a degree in Sociology and Anthropology, I joined Teach for America, continuing to teach and administrate in urban public schools for twelve years. For my first mid-life crisis, I went on leave to study photography at California College of the Arts. I am currently raising two daughters, writing two blogs, teaching and photographing whenever possible.

Also, I am apparently a photo editor for an online magazine. This is exciting and terrifying, but I didn’t include that on the page because I don’t actually believe it yet.

Now. I am expected home in time for the bedtime routine. That is next on my list to achieve.

How my mom killed Santa

©2013 Beret Olsen
©2013 Beret Olsen

When I was little, I went to Prairie Market with my mother to do the month’s shopping. Prairie Market hawked groceries at a grossly reduced rate, leaving everything in shipping cartons in an unheated warehouse. Since it predated the days of ubiquitous scanners, we dug cans of soup out of the crates, and wrote the price on each one using a red wax pencil. I got to ride around on a platform hand truck instead of in a janky cart.

In a weird, frugal way, it was awesome.

On one fateful shopping trip, however, I looked up from my can-labeling extravaganza to see my mother sneaking Christmas candy into our pile of supplies. This might not seem like a big deal to you. Keep in mind that–except for a pack of Trident gum in the kitchen cupboard–we never had candy in the house. I came unhinged. I made a huge scene. Demanding to eat it then and there, I fussed and begged and whined until my beleaguered mother thrust a small, foil-wrapped Santa at me, allowing me one single bite.

She wrapped the chocolate back up neatly and paid for it with the rest of our haul.

Then…weeks later…

On a cold and jolly winter’s morning, I reached into my stocking and pulled out a half-eaten Santa.

What??!!

I immediately marched over to inform my siblings, two of whom offered feeble explanations; the last looked away, likely stifling a guffaw. What was this, I wondered? Could they not handle the truth? I squinted at them–perhaps with a bit of pity–not realizing the absurdity of the situation: a six-year-old unveiling life’s truth to a room full of teenagers.

*****

Cut to this year.

At around 10:30 pm on Christmas Eve, I was crouched on the floor beside the bed, reading my godforsaken, depressing book by headlamp, trying to stay awake without disturbing the spouse.

Must. Stay. Awake.

I know. That was pathetic, given the hour. It’s not like I had to make it through midnight mass or anything. But, after two weeks of insomnia and holiday hullabaloo, I was really ready to hit the hay.

Trouble was, one of my kids was on the couch in front of the stockings, holding some sort of vigil. Whenever I thought she must have dozed off, I would tiptoe to the top of the stairs and look down, only to witness her stirring, waiting, watching.

I was torn. Don’t my kids know who plays Santa, anyway? Wasn’t that the reason for her vigil, to have real proof beyond past year’s mistakes and discrepancies, such as:

How come this present is wrapped in paper we have in our office closet?

Why is my friend’s Santa so much more generous?

and

Why didn’t Santa bring what I really wanted:  an iPhone?

If I just bailed and went to bed, I’d be fresh for the morning. I could stick some gifts in the stockings after sunup, right? It’s the same stash, either way.

Suddenly, I felt an overwhelming sense of empathy for my mother, the Santa-killer. I was by far the youngest of four kids. She had been willing herself awake for eighteen Christmas Eves so that some imaginary person could take the credit for all of her thoughtful work. That woman was done.

Sigh.

I’ve only been at it half as long. I can’t yet bail in good conscience.

Ho, *#^%(!), ho.

Let There Be Light

©2013 Beret Olsen
©2013 Beret Olsen

It was a woeful moment.

I was worn thin from an epic day at work. Chilled, tired, and hungry, my couch was calling.

Unfortunately, in order to sit on it, I first had to conquer the Bay Bridge during Friday night rush hour traffic. For added excitement, it was the first rainy day of the season, which is typically when everyone spontaneously forgets how to operate a moving vehicle. I really, really did not want to make the drive.

I sat in the car, listening to the rain and to some extremely sad songs. As I was following the lyrics in the semi-darkness, I began to notice the rain falling over the words. Then, after a minute or two, the wipers would cut across the page, leaving a blazing trail of light.

I sat and watched for eons. No doubt the folks in the neighborhood thought I was on some sort of stake-out.

This was a shot that needed a tripod and a decent camera–and FILM, for crying out loud–but I was smushed into the driver’s seat and all I had was my phone. I took the photograph anyway. It can serve as a visual reminder:

In the midst of just about any moment–no matter how stressful, or annoying, or banal–there is often something amazing right in front of my face.