Category: art

This is the story of abandoning my family for two and a half weeks one summer to do something ridiculously selfish and wonderful. It is also about gelato, meltdowns, memory, and déjà vu. Have I mentioned that already?

Here’s how it started. A photography professor of mine leaned across the aisle during a lecture. She told me that she was taking a group of students to Italy during the summer. “You should come,” she said.

I laughed a little hysterically, to the point where the exchange became awkward, and we tuned back to the lecture.

Up until then, I’d only slept away from my four-year-old two nights of her entire little life, and those were spent on the floor of a friend’s house a couple blocks away–clutching my phone all night, just in case. And I’d never been away from my two-year-old. I had to lay down with her for an hour or two every night to get her to settle and go to sleep. Though I had weaned her at 18 months, she had taken to digging in my belly button as a replacement soothing mechanism. She picked at me with her tiny talons until I bled. Scar tissue, it turns out, is surprisingly sensitive, but I wasn’t sure how to wean a child from belly-digging.

There are probably a few people reading this that will roll their eyes and mutter in that superior way about sleep training. In my defense, I did try it with the first child. After several unsuccessful attempts on my own, after reading a pile of helpful books, I finally hired a sleep consultant, and tried again. My child cried and cried and cried and cried. She did not let up for naps; she did not let up for nights. She would doze off occasionally, only to wake up ten minutes later and start again. I let her cry and cry until there was a hole in my heart the size of Saskatchewan. So after THIRTY DAYS, I gave up. I didn’t even bother to try with kid #2. Now, how was I going to leave my spouse alone with such a mess?

With all of this in mind, I mentioned the Italy trip to my husband, so he could have a good laugh as well.

“Maybe you should go,” he said.

Best not to ask twice.

Strangely, despite the enormity of the impending separation, I didn’t freak out right away. I had childcare issues to resolve, packing crises, film and equipment to procure, and a research paper due upon departure. I worried about all of that instead.

Then I got on the plane…and cried for a couple of hours straight. Not demure little teardrops, either, but swollen, hiccoughing, snotty, sobbing. My apologies to the bewildered man seated beside me. Eventually regaining composure, I spent the rest of the flight listening to language lessons and, undoubtedly, murmuring along with the patient Italian lady in my headphones. Again, apologies.

The first couple of days on the ground were a blur of disoriented jet lag, a breathless march from church after church to museum after museum. Honestly, all I really remember about Florence is the gelato. Limone. Pesca. Caffè. Cioccolato. Shop after shop, fresh fruit piled high atop the frozen tubs, a little melty on the sides from the summer heat. In between scoops, I was having an out of body experience with some really fabulous twenty-year-olds. I was completely untethered.

On day four, we headed off to a monastery in Tuscany, where the landscape did something wholly unexpected: it became familiar.

I had already seen this place, on coffee tables, in ads, in my dreams. It looked exactly like it was supposed to look, and I was unable to see it as a foreign place. Even as I was wandering this countryside for the first time, it was already a memory, part of the landscape of my psyche.

For days, I couldn’t make a picture because all of the photographs had already been made; making another would be superfluous.  I focused on the long, lazy dinners–completely unknown to the parents of small children–the carafes of house wine, the late night walks filled with fireflies, frogs, and stars. I focused on the warm camaraderie of young strangers, who asked questions such as, “What is childbirth like?” “What are your irrational fears?” “Who do you secretly, shamefully lust after?” Or, “If you had to eat someone here, who would it be?” Those questions don’t often come up at pre-school potlucks. It felt so good to contemplate anything besides bowel movements, discipline, and sleep deprivation.

Since I would never forgive myself if I went home empty camera’d, I figured it was time to shoot something. And because I couldn’t make a new picture of the landscape, I tried instead to make pictures that looked like what I could see in my head. I attempted to capture on film my memories that were not really memories, that were not really mine.

After I returned to the States, I stumbled upon a passage that put this sensation into words:

“The very colors of the place had seeped into my blood: just as Hampden, in subsequent years, would always present itself immediately to my imagination in a confused whirl of white and green and red, so the country house first appeared as a glorious blur of watercolors, of ivory and lapis blue, chestnut and burnt orange and gold, separating only gradually into the boundaries of remembered objects:  the house, the sky, the maple trees. Even that day, there on the porch…it had the quality of a memory…” excerpted from The Secret History, by Donna Tartt

A very belated thank you to those of you who made that trip possible. I had a strange and wonderful time.