Though going to art school was inherently non-rational, I approached it in a methodical, uptight manner which might seem out of character. As a non-traditional, second-degree student and mother of two, I was not at a point in my life where it was acceptable to dabble and meander and find myself. I took the requisite courses, in the prescribed order, and checked them off my list.
But one summer, realizing I had a single elective to squander, I inexplicably found myself signing up for a sewing class in the Fashion Design department. I did not admit this to my classmates in photography, however. It seemed shallow and irresponsible. Maybe a tad shameful.
It was also ridiculously inconvenient. It met two evenings a week, from 6-10 pm, which meant that my husband had to rearrange his work schedule, and home life was turned upside-down for half of the summer. In order to get to the first class, I had to leave my family stranded and carless in Tahoe, drive three and a half hours, eat Taco Bell in the car, and change out of my sweats in the parking lot of Sports Basement. Then I drove back.
Meanwhile, I wondered…why would I invest so much time and money on this class when I already knew how to sew? I could sew on a button; I could hem pants. It wasn’t like I wanted to sit around and make homely, ill-fitting clothes in all of my ‘extra time.’ How would this help me in my art practice? How would this contribute to the world? What was I doing?
But I went anyway, and after covering everything I knew in the first twenty minutes, what unfolded thereafter was a complete surprise.
We were a small and motley crew: a paralegal, a woman from student affairs, a RISD student in the Bay Area for the summer, a chipper, chatty nineteen-year-old obsessed with lingerie, and a tough guy who worked in the wood shop. Plus me.
Outside, it was freezing in the San Francisco summer way. The fog would roll in right at the start of class, casting a gloomy pall over our fair city as I hunted for parking. Inside the sewing room, however, it was eternally close and sweaty. We hunched over our commercial machines wearing as little as socially acceptable. We lingered long after the official class ended–often staying until midnight–sewing an imaginary world made of fabric and thread.
We talked, ate picnic dinners on the cutting tables, and commiserated over the evil overlock machine, but mostly we just sewed in a zen-like stupor. Fans oscillating, music cranked, we listened to an endless loop of loud, meditative dance music selected by the club-hopping RISD kid.
I made a skirt I sort of like, an ugly, uncomfortable shirt, and two princess dresses–the last of which was my masterpiece. Including the muslin mock-up, I must have spent thirty or forty hours on that thing. But when I brought it home for my five-year-old, she wore it once and let it languish in the back of the closet. A little peeved, I asked her about it. “I’m not really into princesses anymore,” she said. “I’ve started my rock star phase.”
First of all, #$%*()@!
Second of all, what five-year-old talks like that?
Still, it doesn’t really matter. That class gave me endless joy.
To this day, when I hear the first couple of bars of Breathe by Telepopmusik, I am immediately transported to those long, hot, unstructured stretches of happy time. If something important is due, if I am frustrated or inconsolable, if I have 30 seconds to sit in the car before picking up my kids, I pop in my headphones, and there I am in the sewing studio again: feeding fabric, clipping threads, watching the needle go up and down. I let thoughts float and disperse like clouds, fixing on nothing in particular. Just breathing.